Directed by Olivia Newman. Reviewed by Kevin Waldie

This film adaptation of Delia Owens’ 2018 best-seller novel will not appeal to all. Its mixed reception by critics has made that clear. But anyone from a Catholic or biblically aware background will see plenty in it for fruitful reflection.

It is the story of a young girl, Kya, whose life is dramatically altered by violent and disturbing incidents involving her father and the locals of her North Carolina town. Her situation, therefore, draws us into her world where she is an outsider. In watching her various encounters with a range of characters, sympathetic and unsympathetic, we find ourselves moved to compassion for her and her need for peace, love and personal happiness.

This cinematic piece deftly shows us that she possesses extraordinary gifts that help her overcome family trauma and the distressing behaviour of locals who disparagingly call her the Marsh Girl. Interestingly, a small but striking group of characters offsets that harmful element. They treat her with respectful concern and contribute to her well-being, even though she prefers to live a comparatively lonely existence.

Mysteriously abandoned by her mother, brother and sisters, Kya must quickly learn how to deal with her father’s violent outbursts. Then he, too, suddenly leaves. This is the beginning of her incredible transition into womanhood and a fulfilling, settled life. But that is not before she must experience a kind of awakening to the world she inhabits. Her love for two young men, Tate and Chase, dominates the latter part of the story. And Chase’s suspicious death ushers in a courtroom scenario where Kya is accused of his murder despite a lack of real evidence.

This is when we fully grasp the real nature of the small group who have been her genuine supporters throughout. They are her kindly lawyer, her first love Tate, and the black couple who ran the local general store and consistently showed her compassion when she needed it. Because of them she survives to see justice done. Her life, thereafter, is testimony to the goodness and compassionate concern of those who genuinely loved her and acted to be her substitute family.

The way this story is told may not please everyone. However, what I experienced in the cinema touches base with what Jesus in the Gospels advocates and does to gather in those on the outside who should be inside drawing upon the gracious benefits of God’s reign.

Tui Motu Magazine. Issue 274 September 2022: 28